For the exterior, multiple perspectives and incisions have been strewn across the facade. The sides have been fashioned into a series of continuous and three-dimensional edges to create an engaging effect of overlapping blocks. Upon entry, one is greeted by an assemblage of cut sheets of wooden elements stretching across the ceilings and flowing down the sides with the illumination fixtures, creating a flowing aesthetic language of lines weaving a dynamically visual sensation.

The façade features an outer wall and black latticework, casting reflections off the black mirror. On the inside, an avant-garde approach is applied to interpret a beautiful fusion of East and West, past and present. Modern materials form the grand image of the entrance to complement the serenity of an Eastern garden. The reception’s diamond-like craftsmanship matches Ruyi reliefs on the ceiling and extravagant gold leaf. The exquisite bathroom features calligraphy characters of “Gentlemen” and “Ladies,” and the basin consists of stainless steel conduits to interpret contemporary Eastern culture.

With the glass structure, the design focuses on transparency, lightness, and strength. Gray and white irregular squares define the ceiling line. The design is inspired by oriental architecture and uses new materials. The wide granite front desk highlights the style; the extensive grey colour demonstrates spaciousness. The project with low-profile materials presents oriental contents and luxuries.